Category Archives: BIMA


The Final Days

The final showcases for BIMA and Genesis took place on Sunday. Parents who could make it to campus were treated to presentations, performances, and the opportunity to experience a little bit of the magic that happens here every summer.

After the showcases, parents left campus, and the participants had one final night together. Participant band Grandma’s Birthday put on a concert, and then everyone went back to the lounge for an open mic.

Some of our participants were up early Monday morning to catch planes and trains back home. We miss them already! It’s been an experience none of us will ever forget.


Havdalah is one of the best parts of BIMA and Genesis. We end Shabbat and begin the week on a joyful note, with singing, dancing, and candlelight.

These clips give you a peek at the experience our teens have over the four weeks they’re here. We hope you’ve enjoyed these glimpses into life at BIMA and Genesis, and if you’re coming to the showcases this afternoon, we look forward to seeing you!


BIMA Dance and Theater Co-lab – Laban Movement Analysis

The Dance and Theatre majors came together for an introduction to Laban Movement Analysis (LMA). LMA is a method and language for describing and interpreting human movement, originating from the work of dance artist/theorist Rudolph Laban.


This was a natural opportunity for collaboration between the Dance and Theatre majors– both art forms rely on the body as the principal tool in the storytelling process. As actors and dancers we use our bodies to communicate on the stage – we need to understand and control our bodies so that our characters can be created from a blank physical slate, and embodied with specificity.

Our workshop focused on Laban’s eight Effort Actions. Effort, also called Dynamics, is a system for understanding the subtle differences in the way a movement is performed with respect to our inner intentions. The idea is that every movement is controlled and directed by subconscious states. As actors and dancers we can access these intentions through movement – motion can evoke emotion. Laban helps performers create momentary moods and definitive personality characteristics through movement and vocal expression.


The participants began by exploring the eight Effort Actions physically. They moved through the rehearsal room trying out the extremes and subtleties of Dab, Flick, Float, Glide, Press, Punch, Slash, and Wring. Each Effort Action is a unique combination of Weight (Heavy or Light), Space (Direct or Indirect), and Time (Sudden or Sustained). We identified characters from plays, books, and movies who seem to embody these characteristics: Float brings to mind Luna Lovegood, while Glide might conjure an image of Glinda, and Flick evokes Puck or Ariel.

After our physical exploration we brought the Effort Actions into our voices, exploring first a common text, and then applying them to individual monologues. We ended with a participants sharing their monologues and made some exciting discoveries about how applying the Effort Actions can help us find vivid characterizations, nuanced delivery, and a deepen connection between action and emotion. Not bad for two and a half hours!

- BIMA Theater instructor Lynda Bachman

BIMA Dance – Final Showcase Preparation

It’s our last week and for our final project, BIMA Dance participants are exploring Dances on Camera. They have taken on the role being directors, choreographers and dancers. Here’s a sneak peek of their work!

While doing this Dances on Camera project I found myself juggling the role of director, choreographer and cinematographer. I enjoyed seeing dance differently by using the camera to show a different perspective of the choreography. It was really fun because it was so different from what I’ve ever experienced. I’ve learned that dance also can be produced as a video and have a story, a theme or even emotions. Dancing is definitely easier for me than being behind the camera.

- Neomi Yehudai BIMA Dance Participant

photo 1 (3)

We are looking forward to seeing their work this Sunday at the BIMA Showcase!

photo 2

photo 2754tw


Shabbat is a special experience at BIMA and Genesis. This summer we’re experimenting with Design Thinking. We empower our participants to identify the needs of their community and to design a Shabbat that serves those needs. They interview each other, then split into groups to organize chofesh (free time options), meals, kavanot (times for intentionality and reflection), havdalah (ceremony to end shabbat and welcome in the new week), community spaces and norms, limmud (study).

Participants spend Thursday afternoons and Friday mornings designing Shabbat, deciding what the activities will be, and preparing for everything. Kavanot options for Shabbat this summer have included:

  • Mechitza Minyan
  • Egalitarian Minyan
  • Yoga and Guided Meditation
  • Silent Room
  • Nature Walks
  • Silent Dance Party
  • Reform Service

The joyful capstone for a BIMA and Genesis Shabbat is Havdalah. Candles, spices, and singing fill the air as participants welcome in a new week.

Havdalah at Massell Quad

BIMA Artist’s Beit Midrash – Kol Echad

In the Theater Artist’s Beit Midrash: Kol Echad, we are creating monologue scenes based in Bibliodrama and centered on an environmental theme. So far we have had three great sessions, including an acting workshop with BIMA faculty member Lynda Bachman on finding the impulse for action outside oneself.

We have been studying the story of the 12 spies sent by Israel from the wilderness into the land, from sefer Bamidbar (Parshat Shelach). The Bibliodrama we have created around this text has allowed us to try out speaking in the voice of a character from the text, bringing the feelings and relationships in the story to life.

One advantage of the Bibliodrama as a role play is that it allows multiple people to voice the same character and thus help us find some nuance. One such character in this story is Caleb, the voice of dissent:

From Parshat Shelach; Numbers 13:26-33 So they went and came to Moses, and to Aaron, and to all the congregation of the children of Israel, unto the wilderness of Paran, to Kadesh; and brought back word to them, and to all the congregation, and showed them the fruit of the land.They told him, and said: ‘We came into the land where you sent us, and it really does flow with milk and honey; and this is it’s fruit. However, the people that dwell in the land are fierce, and the cities are fortified, and very great; …

But Caleb hushed the people [and approached] toward Moses, and said: ‘Let us go up at once, and possess it; for we are well able to overcome it.’ But the men that went up with him said: ‘We are not able to go up against the people; for they are stronger than we.’ So they spread an evil report of the land which they had spied out unto the children of Israel, saying: ‘The land, through which we have passed to spy it out, is a land that devours its inhabitants; and all the people that we saw in it are men of great size.

And there we saw the Nephilim, the sons of Anak, who come of the Nephilim; and looked to ourselves like  grasshoppers, and so we [must have] seemed to them.’

In our Bibliodrama, we interviewed Caleb about how he feels regarding the negative report of the other spies. Artists voiced Caleb with a sense of disappointment, but also expressed a sense of relief– in this moment, all the cards are on the table, and Caleb may feel he knows where he stands now in relationship to the others.

The Bibliodrama also helps us find characters who are not discussed in the text itself. One artist brought the voice of Moses’ wife Tzipporah into our study. Tzipporah expressed a deeply rooted fear for the man she loved and voiced the hurt that she feels on his behalf.

Dissent is a theme that we are picking up from this study– we see it in our modern political climate, in our local communities, and in the text. Dissent is itself becoming a character in our narrative. The nature of dissent can bring energy and change– or in the case of the parsha, it can condemn a generation. It is my hope that by giving each artist a singular voice, a monologue, we can transform the way we see and engage in discourse, and understand more deeply the challenges posed by incorporating various voices into a community.

-Jordan, BIMA Community Educator 

You can read about our other Artist’s Beit Midrash options below. Continue reading

BIMA Dance – Carolyn Dorfman Dance Company

Last week BIMA Dance participants spent a few days with the Carolyn Dorfman Dance Company learning pilates, contact partnering, choreography and, as a bonus, a street jazz class!

On a more serious note, participants put their new learned skills to the test as they learn an excerpt of Carolyn Dorfman’s work, Interior Design. 

BIMA Music – Carmina Burana

BIMA Instrumental Music had a special opportunity to hear a performance by the Boston Landmarks Orchestra and the One City Choir. Heavy rain nixed an outdoor performance, so everyone went to WGBH to record.  You can stream the performance on the Orchestra’s website at the following link:"color: #222222;">The recording will be available until July 31st.

BIMA Visual Arts & Dance – Making Marks and Movement

Week 1 at BIMA explored lines and repetition. Artists danced and dancers drew!

The two combined classes divided into groups. Each group of four performed a sequence of movements while the others watched and then followed along with markers and paper.

Combined BIMA Art and Dance students followed on paper the movements of their classmates
Combined BIMA Art and Dance students followed on paper the movements of their classmates

After each group performed its sequence, the groups converged around tables covered with white paper. Each participant drew their movements using one continuous line.

Screen Shot 2014-07-13 at 3.11.50 PM

The group members rotated their positions and kept drawing, connecting their movements to the previous person’s.

Screen Shot 2014-07-13 at 3.10.55 PM


The result was a tangled web of interconnected interpretations, beginning and ending in one corner.

BIMA Dance instructor Mica Bernas with participants
BIMA Dance instructor Mica Bernas with participants